I was interviewed by Bill Baker on the Morton Report about Fables for Japan. Check it out:

Comics: Jason Minor on the Fables for Japan Benefit Books

Illustration by Kristen

With all of the human tragedy, economic problems and political turmoil—not to mention failed celebrity marriages—dominating our attention these days, it’s been far too easy to forget that the Japanese people are still in the early stages of recovering from the terrible earthquake and subsequent tsunami that occurred earlier this year.

Still, when faced with that scale of destruction and those incomprehensible numbers of dead, an individual can end up feeling powerless to aid in any meaningful or significant manner. [more]…

I will be appearing at the Austin Comic Con on November 11, 12 and 13th.

I’ll be talking about Star Wars, The Old Republic, due to release this December 20th. So If you have questions stop by.

I’ll also be showing a sneak preview of  ”Fables for Japan, Book 2” as well as some original artwork from Book 1. I’ll be taking orders for Book 1 and 2 so if you haven’t bought your copy yet, this would be a great time.

Of course I will also be selling some of my original Comic artwork as well as doing sketches and taking commissions.

So, if you are in town, come by and say hi.

You can learn more about the Con here: Wizard World Comic Con

and here’s my Bio

Not necessarily in that order…

So, I’ve neglected this blog for a while. I have a good excuse. Actually, I have three.

1. Fatherhood

My amazing son, Phoenix is eight months old now but he’s big enough to pass for a one year old. Being a father is the hardest and the best thing in my life. I know that’s a cliché but I lack the words to describe it better to those who are not parents. And for those who are parents, you know the cliché only scratches the surface. The fact that I’ve been able to accomplish anything in the last eight months is a testament to the kindness of my wife. She has allowed me to carve out a little personal time to work on the next reason I have not been posting.

 

2. Fables for Japan

“Fables for Japan” is a charity anthology to raise money for the victims of the March 11th earthquake in Japan. I originally volunteered to contribute a story for the book but I ultimately found myself heading up the whole thing. The scope of the project has ballooned far beyond my expectations. “Fables for Japan” is now a collection of three e-books with stories and artwork from such names as David Lloyd, Mark Badger, Nancy Collins, Stuart Moore, Frederico Dallocchio, Phillip Hester, Teddy Kristiansen, Tom Peyer, Ryan Kelly, Mark Wheatley, and Jeffery Vaughn, just to name just a few. In all, there are close to a hundred contributors from all around the world involved in one capacity or another. Managing all this has been a massive undertaking but I am very proud of it. In fact, I may be more proud of this project than anything else I’ve done in my career.

We completed Book 1 in early September and you can purchased it on the www.fables4japan.com website. It is 124 pages long and contains stories and artwork from 28 different contributors. It sells for $4.95 and it is well worth the price. As an added bonus, 100% of the project’s sales go to the Red Cross in care of Japan. So, if you haven’t bought a copy, please do. You won’t be sorry.

Book 2 is wrapping up now and it’s looking amazing. I think it will blow people away. We are releasing Book 2 around the end of November. You can follow the progress of the project and keep up with the release dates on our website: www.fables4japan.com, on our Facebook page, and on Twitter.

 

3. Star Wars: The Old Republic

My last (but certainly not least) reason for neglecting this blog is that the game I’ve been working on for the last five years, Star Wars The Old Republic, is finally nearing launch. They’ve announced our ship date as December 20th, 2011 and we have been working hard to finish up the content so the programmers and designers can finish their tasks. Last week we locked down the artwork. From here on out we will be fixing bugs and polishing to make the game looks as beautiful as possible for launch. The work being done on this game is groundbreaking on many different levels and I’m lucky to be apart of it. We are still under NDA so I can’t say much else but I will be posting more as we get closer to release.

Those are my excuses.

These three tasks have kept me so busy I hardly have time to sleep let alone focus on my own work these days. I will try to post more often but until “Fables for Japan” is wrapped up, sometime early next year, the updates might be sporadic at best.

With that said, I thought I’d show you a little of my story from Book 1 of “Fables for Japan.” What follows is a step by step look at how the pages came together and changed to meet the needs of the story. To read the complete version of “Boy in the Water”, and many others great stories, please buy a copy of Book 1 here: www.fables4japan.com

Step by Step: Boy in the Water

I decide to use a two page sequence from my story, “Boy in the Water”, to show how the storytelling process began and eventually evolved into the final product.

Below are the breakdowns for pages 3 and 4. These were roughly sketched out on the computer. Here, I was only concerned with general placement and how the text would fit into the art.

In the next step, I fleshed out the art and tweaked the composition some. I concerned myself with shadow, flow, and development of the characters. This was still done on the computer. Working digitally at this stage is great because you can easily move elements around on the page, scale them, flip them, or rotate them however you like until you’re happy.

I liked how page 3 was coming out but page 4 was problematic. Too much was going on – it felt crowded. Also the transition between page 3 and 4 was awkward. The boy is attacked by a smoke monster then, on the next page, a dragon is sitting there…visually it didn’t make sense.  Also the transition from page 4 to 5 (not shown here) was also awkward for similar reasons. I was trying to keep the page count to 5 pages both for space in the book and scheduling reasons. So, despite these problems I decided to press on – relying on the text to fill in these gaps.

Next step was the penciling. At this point I transitioned from the computer to more traditional materials. I focused here on defining the characters more and polishing the sketches above.

The Inks were next. I wanted to mimic a Japanese brush style of art here, where there is more emphasis on shadow to define the image rather than line work. The brush strokes are kept simple and loose to define forms rather that small details. I don’t feel I was entirely successful in mimicking this style – it’s not as simple as it looks – but I’m happy with the results.

You can also see that I played around with the composition a little on page 4 – trying to make the scenes where the 9 dragons burst through the water more dramatic. I don’t know if it was successful but it relates to my general unhappiness with this page.

Next I added color. This was done in watercolor and kept fairly simple – again, trying to mimic a Japanese watercolor painting style. In the story, the boy is in a dream state – a grey wasteland. So the colors of the boy are kept very washed out and gray while the characters he encounters and the items they give him provide the color for the story. It’s all so symbolic. ;)

The last step was to add in the text and set the pages on a parchment style background. Here I realized that I had made a critical mistake. The size of the font I used for the breakdowns was too small and not easily to read in the final digital format the book is published in. I needed to make the text larger. This made it impossible to fit everything on the already crowded page 4. It was the final straw. I broke down and decided to add two more pages – one to help the transition between page 3 and 4, and a second t help the transition between page 4 and 5. This also allowed me to spread out the sequence on page 4 so that it didn’t feel so cramped. It also let me add a little action to an otherwise subdued story.

And that how page 3 and 4 became 3, 4, 5, and 6:

That’s it. I hope you enjoyed this glimpse at how I stumbled my way to the final product. And please do check out “Fables for Japan” it a great project, full of great stories and art, all for a great cause.

www.fables4japan.com

Thank you,

–Jason

 

 

Work on Fables for Japan is coming together wonderfully. We are hoping to have all the submissions for the first book in by July 12th and available for purchase by late August.

To start off, Fables for Japan will be available as a downloadable PDF and as an App on the iTunes store. More formats will be coming soon after. We want to get the book out there in as many possible venues as possible. Of course all proceeds will go towards the victims of the recent earthquake and tsunami in Japan.

We now have an official Fables for Japan Facebook page. It currently has over 750 followers and is growing by 20 to 50 a day on average. And that is with only minimal advertising. Please follow us there for regular updates, preview of the work in progress, and bios of the contributors. https://www.facebook.com/Fables4Japan

You can also follow us on Twitter here: http://twitter.com/#!/Fables4Japan

There are many plans in the works for this project’s release. Here are a few to look for soon, We are setting up a Fables for Japan Blog, we plan to do some press releases soon, and keep an eye out for us on Kickstarter.com for how you can donate towards the project. I will update this blog as these come to fruition.

For now, however, I thought I’d post a preview of my story for Fables for Japan, Boy in the Water. The finished version will be a mix of illustrated text and comic book style storytelling. I will post more previews as I finish up the story.

Boy in the Water
By Jason Temujin Minor

The earth rumbled beneath the Boy’s feet. Kibou, his cat, leapt from his arms as the windows shattered and the ceiling buckled. Outside, great buildings swayed like willows in the wind. He called for his mother and father but there was no answer. He shouted for his sisters, his uncle, his grandmother but there was no reply. The Boy fell to the ground, held himself tight, and closed his eyes. He waited for it all to stop.

The Boy walked through the streets of his village. He had no memory of leaving his home or of how long he’d been walking. He saw people crying, buildings burning, and many other things he wished he had not. The Boy could do nothing so he continued on, hoping to find something or someone he knew. Suddenly, water rushed over his bare feet. The trickle swelled into a torrent that became a great wave towering above the wreckage, rushing toward him, devouring everything in its path. The Boy thought of running but there was nowhere to go so he spread his arms wide and waited. The wave slammed into him but he was not crushed under its weight or swept away in its current. Instead, the water flooded through the Boy, ripping away his fear, sadness, and despair, his love, happiness, and hope. The great wave washed away the land, leaving an open sea in its wake, and a fine gray mist fell. The Boy stood alone, waist deep and naked, a spec in the middle of a vast ocean. Was he dead? No, but he wasn’t there either, just an empty vessel set adrift. He walked on.

Water bogged him down deeper with each step yet, he continued to walk. After some time, he didn’t know how long, the Boy saw a figure floating through the mist. It drew closer and he could see a fox sitting on plank of wood. Cloth hung from its mouth.

“What an unusual thing, a fox floating out here.” The Boy said.

“No more unusual than a naked boy wading waist deep but going nowhere.” Fox said through his mouthful of cloth.

“You can speak?” The Boy was shocked.

“Only when spoken too.” Fox smirked.

 

I hope you enjoyed this preview of Boy in the Water. Be sure to buy Fables for Japan for the full story.

Thank you

–Jason

Here's a page from the story I'm doing, "Boy in the Water." It's a work in progress. I still have to add the color and text.

On March 11th, 2011, a magnitude 9.0 earthquake struck near the east coast of Honshu, Japan. The quake, one of the largest in recorded history, triggered a 23 foot high tsunami that devastated the coastline. Hundreds were killed, whole villages were wipe away by the massive wave. Several nuclear power plants were damaged, the worse being the Fukushima Daiichi plant which prompted a 30 km evacuation to protect against nuclear radiation leaks.

This trifecta of catastrophes has inspired many of us in the art community to do what we can to help. We are creating a charity anthology book to raise money for the survivors and I am looking for writers and artist willing to contribute their time to this very worthwhile cause. All profits will be donated to the Red Cross.

Keep reading for all the details and if you’d like to participate, contact me at jason.temujin.minor@gmail.com

 

What is Fables for Japan?

“Fables for Japan” is an anthology book of fiction, poems, sequential stories (comic books), and artwork. I am looking for original works relating in some way to theme of Japanese folklore, fairy tales, fables, and myths. How you incorporate this theme into your work is entirely up to you. The stories and artwork DO NOT have to be about the earthquake or flood. They don’t even have to be about Japan necessarily, as long at they link to the theme. There is NO contribution too small. All submission will be subject to approval by me so that we maintain a high level of quality.

Here is a list of ways you can contribute:

  • Full-page story illustrations
  • Stand alone illustrations
  • Prose, fictional stories (or non-fiction, for that matter, if you can tie it to the theme)
  • Sequential short stories (comic books)
  • Spot illustrations
  • Poems, Haikus
  • Digital art, 3D renders, etc.
  • Almost anything you want.
  • Donate money towards our expenses so that all profits can be turned over to the Red Cross.

I want a to create a mélange of different styles and genres of art so the more varied the submissions the better.

 

When will the book be available to purchace?

Fables for Japan will be released in 3 parts.

  • Book one will be available at the end of August.
  • Book two will be released in late October
  • Book three will be released in late December

 

How can I buy Fables for Japan?

The books will be available through this blog as well as our Facebook page. It will also be available through the iTunes store as an iPad app. Additional information will be posted soon.

 

How will the book be published?

I plan to publish the book digitally. This is the best way to insure we keep costs low and raise as much money as possible. It will be available as a PDF download and as an iPad App (possibly android too.) I am looking into setting up an ePub version for iBooks, Kindle, and Nook – more on that as it develops.

I am also exploring ways to raise money for a print version. I’d like to do a limited edition hard cover and then a soft cover print-on-demand book. I will post more on this as it develops but if you’d like to donate towards a print version, please contact me at jason.temujin.minor@gmail.com. I plan to make the book available in as many different forms as possible to reach as many people as possible.

 

What are the submission guidelines?

Submission Guidelines for writing:

  • Written submissions should be submitted as Word documents. 2000 words or less for fiction. Five pages or less for sequential stories (comic books).
  • I will be proof reading all submissions and I reserve the right to request changes if need be.
  • Submit writing before starting artwork to avoid possible rework.
  • All stories must connect to theme of Japanese Folklore in some fashion.

Submission Guidelines for Artwork:

  • The book will be published at 6.75×10.25. Artwork can be done larger (standard comic size 11×17 is fine) but it must fit these proportions.
  • Submit artwork at 300 dpi or higher and as uncompressed TIFF’s or BMP’s
  • I retain editorial rights and may request changes if necessary.
  • All artwork must connect to the theme of Japanese Folklore in some fashion.

Other important notes:

  • You will retain all rights to your work
  • I will be sending a “Permission to Publish” document, giving me permission to print your work. I cannot publish anything without this document signed and returned.
  • I will provide a digital proof of the book to all contributors for their review prior to release. I will do my best to accommodate any changes you request but I retain final decisions regarding editing, layout and printing.


What are the submission deadlines?

Many have already volunteered and many more would like to but their schedules make it very hard for them. So, I have decided to release the book in 3 parts, the initial release, and 2 follow-up expansions. Since the book is being published digitally, people can download these “expansions” for a reduced price after they’ve purchased the initial release. This keeps buyers interested in the project, allows us to raise more money for each expansion, and give us room to accommodate peoples paying work schedules.

Here is the schedule:

  1. Initial Release: July 12th – all writing and artwork done – with a publication release of late August.
  2. Expansion 1: September 12th deadline with a release of late October
  3. Expansion 2: November 12th deadline with a release of late December

Once all 3 releases are done, I hope to collect them into a limited edition print run, assuming we can raise the money to cover printing cost and keep the profits for Red Cross.

 

How can I help if I’m not a writer or an artist?

First, you can buy all 3 books. Second, you can donate towards the printing cost, the various costs of creating a mobile app, and advertising cost. I will be posting more about how you can do that and the incentives we will be giving to those who donate, but for now, email me if you are interested, jason.temujin.minor@gmail.comand I will give you more information.

Last but not least, you can help us get the word out. The more people know about us the greater our sales and the more money we can donate. Please can follow us on Facebook and Twitter for regular updates and previews of the work in progress. I will also be updating this page with more info when it’s available.

Facebook: https://www.facebook.com/Fables4Japan

Twitter: https://twitter.com/ – !/Fables4Japan

 

Thank you for your help

—Jason

Several years ago I saw the movie, Triplets of Belleville. The visuals blew me a way and have inspired my work ever since. If you haven’t seen it, do yourself a favor and check it out.

I did these two sketches right after I saw the movie.

I’ve posted this one before but I decided to post it again since it’s part of the pair.

Hope you like them. And check out Triplets – it’s great.

 

–Jason.

I’ve been playing around with several different art apps on my iPad. I haven’t found one I’m totally happy with yet but it’s fun to experiment. I have seen artist do some amazing work on the iPad, painting with their fingers, but I’m not one of them. I find it cumbersome and awkward. However, it does force me to work looser and I like that.

Here are some of the more successful ones:

The Brushes.app is one of my favorites so far. This was an early sketch playing with blending and color.

This Batman sketch was also done with Brushes. I like the way it came out, the mood and the fact that Batman look a little scraggly. For some reason, I always preferred my Batman to look more like Iggy Pop than George Clooney.

One of the side benefits to the Brushes.app is it records your whole sketching session and then replays it. I don’t know if it serves any real purpose but it is fun to watch.

This is also done with Brushes, However it’s not very successful and I didn’t finish it. I realized recently that, in my 10 years working as a professional comic book artist, I never once drawn the Joker. He is my favorite villain, perhaps in any genera, and I’d never even did a personal sketch. I gave it a shot. Who know it would be so damned hard. I think there is a hair’s difference between the Joker looking like a goofy comic book character and looking like the embodiment of evil itself. He’s still looking goofy…

Another Batman (what can I say, he’s an easy subject to draw.) I used an app called, Sketch Club for this one. It’s more basic than Brushes and some of the tools are gimmicky but it’s easy to get some interesting looks and it’s a fun one to kill time with.

For example, this was a simple, 3 minute sketch done in Sketch Club. It’s very basic but I like the mood.

This one took a little longer but still very quick. I named him “Happy Man.” I like how his face turned out.

And lastly, I took another stab at the Joker. This is a Sketch Club sketch. I’m happier with it but it’s still not there. Maybe I’ll work up a good take on the Joker someday but now it’s eluding me.

That’s it for now. Let me know what you think of the sketches.

 

–Jason

I thought I’d post some of the sketch work I’ve been doing. There’s no real theme here, just random stuff.


Either a gremlin or a carnival barker, not sure which. Brush pen and ink.

A Dwarf…I don’t know why.

Pencil sketch. Not exactly the best framing but I like the sketch.

Random sketches, playing with shapes and gestures.

That’s it for now. Night, night

 

–Jason

Two months ago today, Phoenix Griffin Minor arrived on this planet. He came crying, peeing, and pooping, I can only imagine what that might prophesize for his future. Since then, many people have asked how are things going. Well, on the day Phoenix was born, I’d planned to write a clever and witty little blog about the birth. That was two months ago and this is the first chance I’ve had to write much of anything – and I doubt it will be either witty or clever. That’s how it’s going.

I thought I was prepared for parenthood. That’s a lie. I knew I wasn’t prepared but I had no idea just how unprepared I actually was. My wife and I took classes on parenting and many of our friends offered advice and guidance but, until you are actually in the moment, you’ll never really understand. So, I’ve had to learn how to live on little to no sleep, how NOT to pull out my hair when he’s screaming at four in the morning, how to decipher what cries mean what (I’ve narrowed then down to: “I’m hungry,” “I have gas,” “I have to crap,” and “oh yeah, I’m still hungry”), and how to work the remnants of my old life into this new one. So far, that last one has been the hardest for me (well maybe the “not pulling my hair out at four in the morning” is a close second). I know my old life is dead, I accept that (more or less) but defining this new life has proven quite difficult. I’m working on it but I fear I’ll still be working on it eighteen years from now. By the time I figure it out, Phoenix will be leaving home and I’ll be back to square one, trying to figure out what I’m gonna do then.

However big an adjustment this has been on my wife and me, it’s nothing compared to what little Phoenix has been dealing with. He has been literally ripped from another dimension, one of warmth, darkness, and quiet, and pulled into this mad house of light, cold, and loudness. In this world, there is no feeding tube to take care of him so he has to learn how to eat, suckle and swallow. In this world, he has to breathe air. Imagine that. Imagine waking up tomorrow to finding yourself underwater and you have to learn to breathe water or die. Who among us could survive such a transition? Babies are amazingly powerful creatures. And yet, he can’t figure out what to do with his hands. We take our hands for granted but, for Phoenix, they are just stumps he flails around wildly. He doesn’t know what to do with them. His challenge of becoming human makes my challenge of becoming a parent seem insignificant.

To my great shame, I forget all Phoenix is going through and think only of my frustration and exhaustion. Parents are a selfish bunch. We bitch and moan because we’re tired, the baby is screaming in our ear, and nothing we do will calm him. Then, just when we think we can’t take any more, he spits up everything we’ve fed him. It’s easy, at times like that, when you’re covered in baby bile, no time to bathe, and so tired you’re shaking, to forget that nothing compares to what he is going through. Of course babies cry and scream. Wouldn’t you?

This is what I keep tell myself during these late nights. Some times it works, some times it doesn’t. But this is not the whole picture. It’s easy to get lost in the struggle to keep your head above water and not totally mess the child up in the process. But, there are times when everything flips without warning. Like when he’s been crying all night and you can’t take it any more, then he just passes out in your arms, sleeping peacefully. You know you should put him in his bed as quickly as possible and get some sleep while you can. But you can’t let go of him, you are suddenly filled with love for this tiny creature and the thought of letting him go is physically painful. Then there is the first time he opens his eyes and looks directly at you, not just a random glance but he actually sees you. Or when you see him dream for the first time and he suddenly starts to laugh in his sleep. Or when you see him smile and it’s not “just gas.” These small things can grab hold of you and before you know it, there are tears in your eyes. There are no words to describe these experiences fully. You can only experience it. If these two months have taught me anything, it’s that parenthood is the toughest thing I’ll ever do. But it might also be the greatest thing I’ve ever done. If I just don’t screw it up.

Welcome to the mad house, Phoenix. Happy birthday.

–Dad

Ch-ch-ch-ch-Changes
(Turn and face the strain)
Ch-ch-Changes
Don’t want to be a richer man
Ch-ch-ch-ch-Changes
(Turn and face the strain)
Ch-ch-Changes
Just gonna have to be a different man
Time may change me
But I can’t trace time

In December of 2009, I wrote, “Changes, part one.” It was about how I met my wife through eHarmony and my reaction to their questionnaire’s questions about children. I didn’t want children but I fudged the truth a bit to leave the possibility open. It was only a small fudge because part of me did want children but I hoped to be a better person before allowing that to happen.

In March of 2010, I wrote, “Changes, part two.” This one was about my relationship with my father. I meant for it to explain why I felt inadequate to be a parent. Admittedly, this turned into a long, deeply personal, self-serving, rant that revealed many unresolved issues I had with my father. Even though this one did veer away from the point, it was very therapeutic and I don’t regret writing it. I also believe it still made its point; I was afraid of becoming my father and doing to a child what was done to me.

Rebecca's picture from eHarmony

I ended “Changes, part two” with the first moment my wife-to-be seriously asked the question about having children. She wanted to try. Did I? The words caught in my throat. I knew I should say no. That would be the responsible and sensible thing to do but a part of me wanted to say yes too. I was also planning to propose and was afraid of screwing it up. So I said we could think about it. Rebecca accepted this but I could tell she was disappointed. Despite my fear, I did ask the question, what if I didn’t want children? Would she look for someone else? She said no, she loved me and if we didn’t have a child then that’s the way it was meant to be. I was touched but I didn’t quite believe her. Not because I had any reason to doubt her but because I have always had a hard time believing this stunningly beautiful woman would choose me in the first place.

Rebecca has Polycystic Ovary Syndrome (PCOS) and always assumed she would be unable to get pregnant. For most of her life, she had put the though out of her mind. Then, about two years before we met, Rebecca did get pregnant with her previous companion. It was a total shock to her. She miscarried the baby at 8 weeks but the experience made a profound changed her thoughts about children. She wanted to be a mom.

Wearing the ring

On August 21st of 2007, I proposed to Rebecca. I bought a nice ring and took her to the Hotel St. Germain in Dallas under the guise of celebrating her birthday. The waiter brought the ring to the table in an elaborate display. I asked if she would share her life with me without fumbling my words. My timing and delivery were perfect – if I do say so myself. Don’t ask me what I said, that’s all a blur. I just remember the look in her eyes when she realized what I was asking. And I remember her saying “yes.” It was one of the happiest days of my life. We set out planning the wedding. Then, a couple of months before, Rebecca brought up children again. She wanted to start trying after our honeymoon. I had convinced myself that we were still in the “thinking about trying or not trying” stage but she had jumped ahead of me. I was conflicted, I liked the idea of fatherhood but I still thought it was irresponsible to allow my father’s offspring to continue the line. Then I thought, I’m not my father and our child wouldn’t be me. I realized that I couldn’t honestly answer the question of what kind of father I would be and it wasn’t fair to just assume the worst. However, it was also not fair to take that kind of chance with a child’s life. My mind went back and forth with this and ultimately I decided to let the Fates decide, as they always have. I’m not an overly Religious person but I do have a sense that things will work out as they must. I can do my part but ultimately I have to adapt to the curves in my life. The image of the mythological Fates, the three sisters of the Weird, the Maiden, Mother, and Crone deciding our lives with a ball of yarn and scissors, seems as appropriate representation of my beliefs as any. I agreed we’d try for children and I left the decision of my fatherhood in those three lovely lady’s hands.

Wedding day

Rebecca and I were married on August 21st 2008. It was a beautiful ceremony in the botanical gardens of Zilker Park in Austin. In late January of 2009, we went on our honeymoon to Switzerland, Venice (for Carnevale), Amsterdam, and Paris. It was a fantastic time. About a month after we came home, we started talking to a fertility doctor.

Because of Rebecca’s PCOS, we knew we would need help getting pregnant. The doctor put her on a round of Clomid to induce ovulation. We went through the cycle but nothing happened. Rebecca was disappointed but we knew it was just the first step. For myself, I felt very detached from the whole process. I was waiting to see what the fates would decide. During this time, I was also given a semen analysis – not as fun a test as one might think – and it was found that my swimmers were a little slow and not too bright. Probably the product of my age but they weren’t sure. The problem wasn’t bad enough to negate us ever getting pregnant but it did mean we would have to be more aggressive. We were referred to a fertility specialist, named Dr. Shahryar Kavoussi. He suggested a method called IUI. This is a process where the sperm is collected and “washed” to remove the duds and keep only the best swimmers. Then the sperm is injected into the cervix, bypassing a large portion of the gauntlet a sperm has to survive in order to fertilize the egg. I felt this was cheating. Maybe the Fates had already given us our answer. We were not supposed to have children and we were just using technology to force the issue. I didn’t voice this opinion and, ultimately, I think it was just my fear talking. Using Clomid didn’t bother me because, deep down, I knew it would probably never work. I agreed to try IUI but I still didn’t believe we would ever get pregnant.

Prior to trying IUI, Rebecca first had to grow eggs for fertilization. To do this, she took a series of injections that stimulate egg production. Dr. Kavoussi wanted to monitor her closely during this process. If she created too many eggs, then there was a possibility of multiple babies. The goal was a single baby. Twins was acceptable, triplets was pushing it, but any more than that is really considered malpractice. There was also a chance for her to become hyper stimulated and her ovaries and fallopian tubes could twist – very bad.

With the first round of IUI she did become hyper stimulated, not enough to be dangerous but she was in a lot of pain. One night, when the pain was at its worse, she came out of the bathroom and said she hoped this worked because she didn’t know if she could go through another round. Right up until she said that, I had felt totally detached from the process and maybe even a little hopeful it wouldn’t take. I should have been happy with what she said. Instead, it hit me like a ton of bricks. I couldn’t talk. Did she mean it? Was this it? If she quit now, we would never have a child. And, to my total amazement, I didn’t want that. Tears welled in my eyes and I asked her if she was serious. She said partially, but admitted it was probably just the pain talking. I was relieved.

What happened to me? In one moment, my whole outlook seemed to change. I wanted to be a father. Can change happen that fast? Maybe, but I think it was an evolution I was too dumb to see. A gradual change that only became evident when there was the possibility of not having children.

It was around this time I first had the idea to write about our attempts to get pregnant. I thought it would help me understand this change and I liked the idea of our child (if we had one) reading about how his parents became parents. Unfortunately, I am a procrastinator and this didn’t get started.

We finished out that first round of IUI and nothing happened. We tried a second one. This time Dr. Kavoussi tried a more conservative approach so Rebecca wouldn’t feel as much pain and something happened. The pregnancy stick came back with the faintest of lines visible. It looked like we were pregnant. We were thrilled. I’m usually a somber fellow but I actually felt a little giddy. It turned out to be a false positive. Rebecca was very upset and so was I. Again, I was struck by how much it bothered me. That feeling of changed was there again only stronger.

I finally wrote the first installment of “Changes.” It was really just an introduction, a quick piece about who I was before I met Rebecca.

Believing we were pregnant only to find out it didn’t work, left us both disheartened. We looked into IVF – where they remove the egg, fertilize it, and then place it back, in hopes it will attach to the wall of the uterus. We were lucky, in that our insurance would cover IVF but we were unlucky because the clinic Kavoussi used did not accepted insurance. It’s a very expensive procedure and we couldn’t afford to pay for it ourselves. We would have to find a new fertility doctor and a different clinic. We really liked Dr. Kavoussi and didn’t want to change so we decided to try one more round of IUI.

With the third round, it seemed like something tried to happen again. Rebecca experienced some symptoms of pregnancy. We were cautious this time, tried to manage our excitement. Then one night, Rebecca had some bright red bleeding. We were worried and felt that something had tried to happen and then went wrong again. If so, it could mean the problem wasn’t getting the egg to fertilize but getting it to attach to the uterine wall. In this case, IVF wouldn’t be any more effective than IUI.

I wrote the second installment of “Changes” which, as I said, turned into a rant but was meant to illustrate how my horrible relationship with my father caused me to never want children. I was planning on writing the last installment, this installment, as soon as I was done with the second one. It would talk about our attempts to have a child and the odd change that occurred in me. As you can tell by the year hiatus between part two and this one, life got in the way.

In February of 2010 I became very ill and almost died. (You can read about it in “Hey Lazarus Man.”) I was hospitalized with Acute Respiratory Distress Syndrome (ARDS) for three weeks. I was in the ICU for a week, placed on a ventilator, and treated with extremely high doses of steroids – the only treatment for ARDS. I survived but spent the next three months recovering from the effects. Once I was back on my feet, our doctors told us the steroids could have affected my sperm count and jeopardize our ability to have a child. Sure enough, when I was tested, my count was lower but it was still strong enough that something could happen. It would just be harder than ever.

I wanted to keep trying, no mater what. I wanted to be a father.

Whatever change I had been going through, culminated with my illness. Facing your death changes your perspective. I was so appreciative of my family and my friends. I loved my wife so much more than I thought possible and I knew she would be a good mother. I also knew something else. I could be a good father too. I am like my father in so many ways but I am not him. I have met many of the same demons he faced and I have come through to a different place than he did. It was time to live outside the shadow of my childhood.

We decided to go with IVF. But while we were looking into that, we figured it wouldn’t hurt to try one more round of IUI. Neither Rebecca nor I had much hope of it working.

Tomorrow, February 23rd, at 7:30am, a year to the day I was taken off the ventilator at the hospital, Phoenix Griffin Minor will be born. My son. I know he’s my son because he’s stubborn and has refused to turn head down for delivery. He’s breech and my sweet Rebecca will have to have a Cesarean birth. This scares the hell out of me. At the same time, neither of us can wait to see the face of our boy, to hold him for the first time, to hear his first breath, and see his eyes open for the first time. We are prepared. We’ve packed a bag for our stay at the hospital, set up the crib and the car seat. Mostly, we are trying to keep busy but it’s not easy. It’s been a long nine months. We’ve watched our son develop since his first ultrasound at six weeks old when he as just a tiny mustard seed. Even at that early age, the tissue that would become his heart was beating. We’ve been with him through the genetic testing to look for conditions more common in babies of forty year old parents. We’ve waited for each milestone, his 8-week ultrasound, his twentieth ultrasound, and the first time Rebecca could feel him kick. We’ve attended the classes and tried to prepare ourselves as best we can. It’s been a long road but, now that his birth is only hours away, it seems like those nine months evaporated in the blink of an eye. When asked if I’m ready, I’ve always told people “no.” Because, no matter how much we think we are ready, we won’t be and we’ll just have to go with the flow. But now, in the last few longest days of the pregnancy, I have never felt more unprepared. Simply assembling a crib tent to keep the cats away from our baby seems like a massive engineering feat.

Phoenix is coming. It is just hours away.

We have everything in place for his arrival but we are not ready. I know this. I also know this is the right time for him to come into our lives. I needed to find someone as magical as Rebecca. I needed to confront my fears of becoming like my father. I needed the year of fertility treatments and disappointments. And I needed to get sick and almost die. Each link in the chain led to this greater moment of becoming a father. Each landmark of my life, joyous or tragic, facilitated the change in me. The Fates know what they are doing and I thank them. I also know the “change” isn’t over. In fact, I think it’s only just begun.

Dedicated to Phoenix Griffin Minor.I love you son.

–Jason

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